Since 2008, Mail Order Zombie has covered zombie movies, zombie movie music, post-apocalyptic and zombie literature, zombie comics, zombie games, zombie operas, etc. Weekly, Brother D brings the reviews, and Miss Bren joins him for the weekly Feedback Discussion. Zombie news from around the world is covered in the Zombie Beat, and interviews with zombie media makers round out the show.
Wednesday, March 7, 2012
Stag Night of the Dead - Now vailable in the US via iTunes and soon to DVD
The 2010 Special Dead Letter Awarded film Stag Night of the Dead is finally making it's way to the USA. The film is now available in the US iTunes store right now for download - check it out here.
The film will also be available on DVD on May 1, 2012 in the states. We'll post an update once pre-orders have started.
If you are unfamiliar with this film, I reviewed it way back in episode 151 - giving the film 4 out of 5 headshots.
Here is the trailer for the film:
The film will also be available on DVD on May 1, 2012 in the states. We'll post an update once pre-orders have started.
If you are unfamiliar with this film, I reviewed it way back in episode 151 - giving the film 4 out of 5 headshots.
Here is the trailer for the film:
Wednesday, February 22, 2012
Mail Order Zombie #175 - DeadHeads, Book Reviews & Resident Evil: Director's Cut
Mail Order Zombie #175 finds Brother D settling down for an in-depth look at the zombie comedy DeadHeads (dir. Brett Pierce & Drew T. Pierce), and he brings Need-A-Nickname Scott along for the roadtrip . . . er . . . ride. In addition to all this movie talk, this episode of MOZ also delivers reviews of two zombie books (David Moody's Autumn, reviewed by Casey Criswell; and James Knapp's State of Decay, reviewed by Silent Death) and a zombie videogame (Miss Bren reads a Resident Evil: Director's Cut review by Empty Wallet Gamers' Eric Lee Lewis). The Zombie Beat makes its return with Need-a-Nickname Scott's round-up of the latest in zombie news (with an assist from Richard from Wichita), 'dillo brings us a wee bit of fun in the form of a short audiodrama, and the rest of the MOZ Family get in on the act in the Feedback Discussion.
Mail Order Zombie Facebook Group - http://tinyurl.com/facebookmoz
Email us at MailOrderZombie@gmail.com or call us at 206-202-2505!
Palavr.com Forums - http://palavr.com/forum.php/
DeadHeads - http://www.deadheadsthemovie.com/
Hungarian officials seize weapons to be used on World War Z - http://www.hollywoodreporter.com/heat-vision/brad-pitt-world-war-z-guns-seized-246251
Brad Pitt is not going to be charged with illegal arms trafficking - http://www.huffingtonpost.com/2012/02/10/brad-pitts-world-war-z-cleared-weapons_n_1267778.html
The Walking Dead breaks its own record - http://www.avclub.com/articles/walking-dead-return-breaks-series-own-record,69291/
The Walking Dead Deluxe TV Game - http://www.chipchick.com/2012/02/walking-dead.html
McFarlane created The Walking Dead special edition packaging - http://whatculture.com/tv/the-walking-dead-season-2-blu-ray-special-edition-with-screwed-zombie.php
Robert Kirkman sued by Tony Moore The Walking Dead - http://www.hollywoodreporter.com/thr-esq/walking-dead-war-creator-robert-288671
Abraham Lincoln vs. Zombies first look - http://www.horroryearbook.com/5425321/first-look-abraham-lincoln-vs-zombies
Zompocalypso teaser trailer - http://vimeo.com/36554780
Two Osama zombie film trailers - http://www.neatorama.com/2012/02/17/not-one-but-two-zombie-bin-laden-movies-nsfw/
Empty Wallet Gamer - http://emptywalletgamer.tumblr.com/
BoneBat Film Festival - Comedy of Horrors - http://bonehand.com/bonebatff.html
The Rondo Hatton Classic Horror Awards - http://www.rondoaward.com
(Various production music produced by Kevin MacLeod.)
Labels:
autumn,
deadheads,
resident evil,
state of decay
Monday, February 20, 2012
Dead Man Walking
A promotion for The Walking Dead in South Africa. Make Sure you watch all the way until the end!
Wednesday, February 8, 2012
Mail Order Zombie #174 - The Dead, The Collective Vol. 2, Zombie Videogame Fantasies
In this episode of Mail Order Zombie, Brother D talks about a zombie movie that's been on his radar since he first heard about it in 2010, but since it has such an innocuous name like The Dead (dir. Howard J. Ford and Jonathan Ford), it was difficult to find much information about it online before it was released in the UK last year. It hits DVD and Blu-ray in the US this month, and you'll have to listen to Episode #174 to hear if the movie lives up to D's expectations! This episode also features the first of MOZ's occasional Palette Cleansers in which D walks the MOZ Family through JABB pictures' The Collective Vol. 2. After the Feedback at the end of the show with Miss Bren, D takes some inspiration from a recent episode of Outside the Cinema and presents his Top Six List of Zombie Movies That Would Make Awesome Video Games.
Mail Order Zombie Facebook Group - http://tinyurl.com/facebookmoz
Email us at MailOrderZombie@gmail.com or call us at 206-202-2505!
Palavr.com Forums - http://palavr.com/forum.php/
I Heart Monster Movies - http://www.indiegogo.com/I-Heart-Monster-Movies
The Dead - http://the-dead-movie.com/
JABB pictures - http://www.jabbpictures.com/
Empty Wallet Gamer - http://emptywalletgamer.tumblr.com/
BoneBat Film Festival - Comedy of Horrors - http://bonehand.com/bonebatff.html
Sad Day for Night of the Living Dead Fans - Two Deaths - http://www.horrorbid.com/forum/viewtopic.php?f=280&t=19588
Plan D: The Official Website of Derek M. Koch - http://www.derekmkoch.com
1951 Down Place - http://www.1951downplace.com
RIP Bill Hinzman and Josephine Streiner.
Sunday, February 5, 2012
RIP Bill Hinzman
It could be argued that Bill Hinzman's performance in the original Night of the Living Dead created the zombie archetype that would define our favorite movie monster for over forty years. In March 2011, he appeared on Mail Order Zombie for an interview supporting his then-latest movie River of Darkness, and during the interview Brother D and Mr. Hinzman couldn't leave the zombies alone.
Mr. Bill Hinzman passed away February 5, 2011. Thank you for your contribution to this dark and spooky corner of moviedom, Mr. Hinzman. RIP.
(There will be a regularly scheduled episode of Mail Order Zombie later this week on Thursday, 2/9/12.)
Saturday, January 28, 2012
US Theatrical Release Rights for 'Juan of the Dead'
Outsider Pictures announced January 27, 2012, the acquisition of the international hit Juan of The Dead, from Guadalajara-based international film sales and distribution company Latinofusion, for US theatrical distribution in the United States.
The deal was announced via the Industry Office of the 29th annual Miami International Film Festival (MIFF), produced and presented by Miami Dade College (MDC). As previously announced, Juan of the Dead will be screened as part of MIFF’s Gala series at the upcoming Festival, March 2 – 11, 2012, and will be the first theatrical screening of the film under the Outsider Pictures banner. Director Alejandro Brugués, actor Alexis Díaz de Villegas, and Outsider Pictures and Latinofusion executives are scheduled to attend the screening.
“It’s a satirical look at the present day streets of the controversial regime and we’re excited to add it to our diverse catalogue of films.” said Paul Hudson, co-founder of Outsider Pictures. “And it’s a great zombie film, too!”
As previously announced, Focus World, the unique digital distribution initiative owned and operated by Focus Features, will release the movie later in 2012 to EST, iVOD and VOD, along with DVD and other formats.
After zombies take over Havana, Juan (Díaz de Villegas) and his friends decide to conquer the marauding undead, reported by the government as being unruly Americans continuing their quest of undermining the regime. Part comedy and part political allegory, Alejandro Brugués’ second feature was co-produced with Spain’s La Zanfoña Producciones. Brugués’ first feature Personal Belongings was in MIFF’s Ibero-American competition in 2008.
Outsider Pictures will open the film theatrically in Miami soon after the Festival, in an exclusive run at MDC’s Tower Theater. Hudson negotiated the deal with Latinfusion CEO Alfredo Calvino.

The deal was announced via the Industry Office of the 29th annual Miami International Film Festival (MIFF), produced and presented by Miami Dade College (MDC). As previously announced, Juan of the Dead will be screened as part of MIFF’s Gala series at the upcoming Festival, March 2 – 11, 2012, and will be the first theatrical screening of the film under the Outsider Pictures banner. Director Alejandro Brugués, actor Alexis Díaz de Villegas, and Outsider Pictures and Latinofusion executives are scheduled to attend the screening.
“It’s a satirical look at the present day streets of the controversial regime and we’re excited to add it to our diverse catalogue of films.” said Paul Hudson, co-founder of Outsider Pictures. “And it’s a great zombie film, too!”
As previously announced, Focus World, the unique digital distribution initiative owned and operated by Focus Features, will release the movie later in 2012 to EST, iVOD and VOD, along with DVD and other formats.
After zombies take over Havana, Juan (Díaz de Villegas) and his friends decide to conquer the marauding undead, reported by the government as being unruly Americans continuing their quest of undermining the regime. Part comedy and part political allegory, Alejandro Brugués’ second feature was co-produced with Spain’s La Zanfoña Producciones. Brugués’ first feature Personal Belongings was in MIFF’s Ibero-American competition in 2008.
Outsider Pictures will open the film theatrically in Miami soon after the Festival, in an exclusive run at MDC’s Tower Theater. Hudson negotiated the deal with Latinfusion CEO Alfredo Calvino.
Wednesday, January 25, 2012
Mail Order Zombie #173 - We're BACK, plus Hard Rock Zombies and Pop Punk Zombies
You can take the zombie movie podcaster out of the podcaster, but you can't take the zombie movies out of his DVD player. Brother D is BACK with Mail Order Zombie, and he's picking up right where he left off with Episode #173. He rocks a double feature of rockin' zombie movies - 1985's Hard Rock Zombies (dir. Krishna Shah) and 2011's Pop Punk Zombies (dir. Steve Dayton). Other old MOZ friends (like Need-a-Nickname Scott, Wayne Kotke and Professor Chad) stop by to catch up with the Family, and Miss Bren joins Brother D at the end of the show to go over some recent feedback. Welcome back, everyone . . . keep on, shamblin'!
Mail Order Zombie Facebook Group - http://tinyurl.com/facebookmoz
Email us at MailOrderZombie@gmail.com or call us at 206-202-2505!
Palavr.com Forums - http://palavr.com/forum.php/
The Zed Word Zombie Blog - http://www.zedwordblog.com/
Plan D: The Official Website of Derek M. Koch - http://www.derekmkoch.com
(Various production music produced by Kevin MacLeod.)
RIP James Farentino
Tuesday, January 24, 2012
Mail Order Zombie RETURNS!
Stay tuned, MOZ Family . . . Check your feed, mind your iPod, watch your podcatcher - Mail Order Zombie returns to the podosphere 1/26/12!
Thursday, January 19, 2012
Open Nominations for the Dead Letter Awards!
It's that time of year again, Family! The 4th Annual Mail Order Zombie Dead Letter Awards will honor the best in 2011's zombie movies and media, and this year, we're turning to you to help shape the ballot!
Head over to http://tinyurl.com/dlanom2011 to nominate your favorite movies, books, music, actors, actress, documentaries, etc., etc., ETC. Make as many nominations as you want in each category - there will only be a maximum of six nominees on the official ballot in February, so this is your opportunity to make sure ALL of your favorites are considered for a Dead Letter Award.
Head over to http://tinyurl.com/dlanom2011 now to help shape the 4th Annual Mail Order Zombie Dead Letter Awards!
Head over to http://tinyurl.com/dlanom2011 to nominate your favorite movies, books, music, actors, actress, documentaries, etc., etc., ETC. Make as many nominations as you want in each category - there will only be a maximum of six nominees on the official ballot in February, so this is your opportunity to make sure ALL of your favorites are considered for a Dead Letter Award.
Head over to http://tinyurl.com/dlanom2011 now to help shape the 4th Annual Mail Order Zombie Dead Letter Awards!
Tuesday, December 20, 2011
A Cadaver Christmas - 4-out-of-5 Headshots
I didn't quite know what to expect going into A Cadaver Christmas (dir. Joe Zerull). On the podcast, I've reviewed movies like Silent Night, Zombie Night (dir. Sean Cain) and Santa Claus Versus the Zombies (dir. George Bonilla) back in Episode 151 of Mail Order Zombie (which you can find here - http://tinyurl.com/mozep151). Christmas-themed horror movies are a definite subgenre, and throwing zombies into the mix seems like a natural extension of that. But, let's be honest - and this isn't meant to sound overly disparaging - sometimes the zombie movies that ping my radar are . . . um . . . sometimes a little rough. I love giving them all a chance, to be sure, but with Mail Order Zombie being on hiatus, my guerilla-zombie-movie-watching tolerance may not be as high as it was earlier this year.
With The Cadaver Christmas, I needn't have worried.

It's Christmas time. The local university is closed for the holidays, but that doesn't mean there's no one on campus. A janitor (Daniel Rairdin-Hale) is cleaning the buildings while the students are away, and because I'm writing about this at mailorderzombie.com, you KNOW what he finds while he's cleaning up, right?
The story begins with the janitor finding his way to a local bar to unwind after having dealt with a number of zomb. . . er . . . cadavers. Of course, he's covered in blood and doesn't want much to do with the barkeep (Ben Hopkins) or the other customer in the bar (Hanlon Smith-Dorsey), but he's convinced to stay after an offer a festive holiday drink. The barkeep uses the delay to call his cop friend Sam (Yosh Hayashi) who reports to the bar with a prisoner in the back of his car (Andrew Harvey).
And then more zomb . . . um, cadavers show up.
It doesn't take long for the group to find their way back to the college campus, and once locked inside a building with the zomb . . . cadavers, the story is off-and-running.
A Cadaver Christmas is built as a horror comedy with grindhouse trappings. Director Joe Serull and company present their movie with the artificial lines and scratches one has come to expect of movies designed to tap into that forced nostalgia even though the movie's setting was implied to be modern day. In the case of A Cadaver Christmas, though, it wasn't distracting. It worked. It still had better sound than a film supposedly run through a movie projector thousands of times (as is typical of most modern movies designed as a pseudo-grindhouse flick), but this was a good thing because the score by William Campbell was fantastic, and quite frankly, I would have been disappointed if Campbell's music was distorted with pops and clicks.
The story is fairly straight-forward, but because the characters are fun to watch, A Cadaver Christmas has become my favorite Christmas-themed zombie movie. It's not just a movie that takes place during Christmas. The characters' actions are tied directly into the holiday season . . . and we get to see Christmas decorations used as weapons against the zomb . . . cadavers.
Performance-wise, Rairdin-Hale as the janitor is one of the stand outs, as is Ben Hopkins as functioning alcoholic Tom. Their scenes together generously gave me the most laughs, and while it took a little while to get these two together, once they stand back-to-back against the zomb . . . cadaver horde, the movie refused to let my attention drift . . . even when one of them was unconscious.

The other performances are just as solid, but that's not to say I wouldn't have minded seeing less of one and more of another. This isn't a criticism aimed at Harvey as "the perp," but what he does when he wanders off alone in the college building seemed a bit extraneous. I understand wanting to maintain that grindhouse feel by including a nude scene/sex scene, but it really tipped A Cadaver Christmas over the edge for me, especially since the only other female character in the movie - a campus security officer/student played by Jessica Denney - doesn't have very much screen time either. I do wonder how having a more equal female character thrown into the mix would have added to the chemistry between the group, but as it is, A Cadaver Christmas is a fairly testosterone-heavy movie. Outside of some of the activities of "the perp"/"the perv," however, the movie doesn't get too exploitive and allows us to spend more time laughing along during the Christmas zomb . . . cadaver action than anything else.
There are some solid zombie kills, the stakes are always high and the script was tight. The storytelling was smart - situations were set up casually and paid off when appropriate. I'm not going to spoil the moment, but this movie showed me something (non-nude) I've never seen a zombie movie, and it MADE SENSE in terms of how it was set up and played off of later. After watching the movie by myself, I bought a copy to give to someone as a Christmas gift - I enjoyed A Cadaver Christmas enough to share the zomb . . . cadaver love with someone else this holiday season.
A Cadaver Christmas can be purchased online at http://cadaverchristmas.com/. The score is also available for sale.
With The Cadaver Christmas, I needn't have worried.
It's Christmas time. The local university is closed for the holidays, but that doesn't mean there's no one on campus. A janitor (Daniel Rairdin-Hale) is cleaning the buildings while the students are away, and because I'm writing about this at mailorderzombie.com, you KNOW what he finds while he's cleaning up, right?
The story begins with the janitor finding his way to a local bar to unwind after having dealt with a number of zomb. . . er . . . cadavers. Of course, he's covered in blood and doesn't want much to do with the barkeep (Ben Hopkins) or the other customer in the bar (Hanlon Smith-Dorsey), but he's convinced to stay after an offer a festive holiday drink. The barkeep uses the delay to call his cop friend Sam (Yosh Hayashi) who reports to the bar with a prisoner in the back of his car (Andrew Harvey).
And then more zomb . . . um, cadavers show up.
It doesn't take long for the group to find their way back to the college campus, and once locked inside a building with the zomb . . . cadavers, the story is off-and-running.
A Cadaver Christmas is built as a horror comedy with grindhouse trappings. Director Joe Serull and company present their movie with the artificial lines and scratches one has come to expect of movies designed to tap into that forced nostalgia even though the movie's setting was implied to be modern day. In the case of A Cadaver Christmas, though, it wasn't distracting. It worked. It still had better sound than a film supposedly run through a movie projector thousands of times (as is typical of most modern movies designed as a pseudo-grindhouse flick), but this was a good thing because the score by William Campbell was fantastic, and quite frankly, I would have been disappointed if Campbell's music was distorted with pops and clicks.
The story is fairly straight-forward, but because the characters are fun to watch, A Cadaver Christmas has become my favorite Christmas-themed zombie movie. It's not just a movie that takes place during Christmas. The characters' actions are tied directly into the holiday season . . . and we get to see Christmas decorations used as weapons against the zomb . . . cadavers.
Performance-wise, Rairdin-Hale as the janitor is one of the stand outs, as is Ben Hopkins as functioning alcoholic Tom. Their scenes together generously gave me the most laughs, and while it took a little while to get these two together, once they stand back-to-back against the zomb . . . cadaver horde, the movie refused to let my attention drift . . . even when one of them was unconscious.
The other performances are just as solid, but that's not to say I wouldn't have minded seeing less of one and more of another. This isn't a criticism aimed at Harvey as "the perp," but what he does when he wanders off alone in the college building seemed a bit extraneous. I understand wanting to maintain that grindhouse feel by including a nude scene/sex scene, but it really tipped A Cadaver Christmas over the edge for me, especially since the only other female character in the movie - a campus security officer/student played by Jessica Denney - doesn't have very much screen time either. I do wonder how having a more equal female character thrown into the mix would have added to the chemistry between the group, but as it is, A Cadaver Christmas is a fairly testosterone-heavy movie. Outside of some of the activities of "the perp"/"the perv," however, the movie doesn't get too exploitive and allows us to spend more time laughing along during the Christmas zomb . . . cadaver action than anything else.
There are some solid zombie kills, the stakes are always high and the script was tight. The storytelling was smart - situations were set up casually and paid off when appropriate. I'm not going to spoil the moment, but this movie showed me something (non-nude) I've never seen a zombie movie, and it MADE SENSE in terms of how it was set up and played off of later. After watching the movie by myself, I bought a copy to give to someone as a Christmas gift - I enjoyed A Cadaver Christmas enough to share the zomb . . . cadaver love with someone else this holiday season.
A Cadaver Christmas can be purchased online at http://cadaverchristmas.com/. The score is also available for sale.
Sunday, November 27, 2011
Lord Blood-Rah wants your help to FIX THE CHAPEL!
Help Fix the Chapel!
The Evans City Cemetery in Pennsylvania is the cemetery seen in the opening moments of the horror classic Night of the Living Dead. The chapel in that cemetery, which appears in the film, is scheduled to be torn down. WE CAN'T HAVE THAT, CAN WE ZOMBIE FANS!!??
Gary Streiner, the sound engineer for the film, is trying to raise funds to not only save the chapel, but turn it into a Night of the Living Dead Museum! His website is http://www.fixthechapel.com.

The Evans City Cemetery in Pennsylvania is the cemetery seen in the opening moments of the horror classic Night of the Living Dead. The chapel in that cemetery, which appears in the film, is scheduled to be torn down. WE CAN'T HAVE THAT, CAN WE ZOMBIE FANS!!??
Gary Streiner, the sound engineer for the film, is trying to raise funds to not only save the chapel, but turn it into a Night of the Living Dead Museum! His website is http://www.fixthechapel.com.
Monday, November 21, 2011
Brother D on Dread Media
Download Dread Media #221 here!
Brother D joined Desmond Reddick on Dread Media #221:
In this highbrow, literary episode of Dread Media, Desmond is joined by Brother D in the first installment of Read the Book to discuss Robert E. Howard's horror stories. Then Darryll and Desmond review a film based on another literary masterpiece: Frankenhooker. Songs included: "Opening Theme" and "Closing Theme" from Casonetto's Last Song by Luke Stark, "Frankenhooker" by The 69 Eyes, and "Dead Man in My Bed" by Nick Cave and the Bad Seeds.
Sunday, November 20, 2011
Helldriver - 4-out-of-5 Headshots
I have to be completely honest - I'm hot-and-cold with a lot of the Japanese splatter horror films. Sometimes, they just make me giggle and rock back and forth with a stupid grin on my face, and sometimes I find their sledgehammering of blood fountains and dismemberment to be dull and boring after a few minutes. I also find that my mood also plays a lot on whether or not I have the patience for something like Vampire Girl vs. Frankenstein Girl or Machine Girl.
I didn't know what to expect as I slipped Helldriver (dir. Yoshihiro Nishimura) into my Blu-ray player. I made sure I was in my favorite seat in my living room, the HD TV was angled just right, and my mood was neutral. I hit PLAY, and . . .
. . . my mood quickly changed.
For the better.
Helldriver tells the story of a Japan dealing with a zombie problem. In this case, the zombies aren't just undead - they're infected with something that came about when a meteor hit the earth and dusted the countryside with some sort of stellar dust. Or something like that. Honestly, it doesn't matter. The zombies now have these sprouts growing from their forehead that instantly identify them as the antagonists in the film, and apparently, harvesting these Y-shaped sprouts from the zombies' foreheads has turned into some sort of illicit drug trade since these zombie sprouts can be consumed as drugs by . . . okay, this is getting complicated. Let's try again.
Kika (Yumiko Hara) is a young woman whose father is dominated by her mother Rikka (Eihi Shiina). Oh, and her mother is not a stable woman. She and her brother - Kika's uncle - are described as "homicidal" in other reviews of this movie, and once the movie really picks up. At the beginning of the film, though, they're just bullies . . . who steal Kika's pudding and kill her father. Then this meteor comes crashing down in Japan, hitting Rikka and Kika, ripping one of their hearts and transposing it to . . . okay, let's try this again.
Helldriver deals with the very real concern of overpopulation. Japan has a zombie problem, but their are many Japanese citizens and government officials who view the zombies as important members of society . . . at least, important enough to keep around. They're not destroyed. They're not killed. They're rounded up and basically housed behind a HUGE wall in Japan. This causes problems in terms of available land space for those who don't have these alien sprouts bursting out of their foreheads, and there's a conflict in the streets and within the government when it comes to determining how to best handle this crisis.
Helldriver takes all this, gives Kika a chainsaw samurai sword, shakes it all up in a can of carbonated fake blood and lets it explode all over the screen.
The film can be broken up into two halves, mostly because the opening credits take place fifty minutes into Helldriver. The first half sets up Kika as our hero, Rikka as a zombie queen, a group of drug dealers and zombie-sprout collectors all coming together just as there's a violent change-up in Japanese government policy regarding how the zombies are to be treated. We learn about this new zombified world, get splashed with a load of blood and watch a lot of zombie violence. The effects are solid, Kô Nakagawa's score is perfectly suited to the imagery on screen, and the overall mix of editing, cinematography (courtesy of Shu G. Momose) created a great origin story.
That the opening credits take place halfway through seemed odd, but it also set up the second half in which there's a new government in place, Kika and company are on their way to stop the zombie queen, and we eventually meet Kaito (Kazuki Namioka), whose clearly based on the Tallahassee-from-Zombieland mode (right down to wearing a distinct hat).
More chainsaw-lined weapons and armor, a sword fight between a zombie and a car, and a final sequence that seemed to pull some inspiration from Clive Barker's short story "In the Hills, the Cities" . . . with missiles, and Helldriver really became a smiling mess for me.
The movie's over-the-top, and I do think it could have been cut down a LITTLE bit in terms of running-time, I had a good time watching the film. It's not something I would have chosen to watch on purpose (see above re: my previous experience with Yoshihiro Nishimura's previous films), and while this isn't something that will drive me back to Vampire Girl vs. Frankenstein Girl, I will find myself watching Helldriver again.
Preferably with a group. This is a PERFECT group film, especially if that group knows what to expect. In my case, the only person to join me while I was watching Helldriver was Bren, who only walked into the room when I started giggling because the film's heroes were being attacked by a raining barrage of angry zombie heads. (She left the room when the screen literally filled with explosions . . . for almost no reason . . . the explosions that, is. She had no reason to actually leave the room. I mean, the explosions were AWESOME, especially on Blu-ray.)
Is it fair to give this movie a rating of 4-out-of-5 Headshots? I think so . . . especially if you know what you're in for when you start it up. Chances are you're not going to pick up the movie unless you're a fan of this sub-genre of horror-comedy film, but just in case, the director himself introduces the movie and invites you to kick back and enjoy Helldriver for what it is.
Helldriver hits DVD and BLu-ray November 22. The official English-language website for the film can be found http://www.sushi-typhoon.com/films/helldriver.
I didn't know what to expect as I slipped Helldriver (dir. Yoshihiro Nishimura) into my Blu-ray player. I made sure I was in my favorite seat in my living room, the HD TV was angled just right, and my mood was neutral. I hit PLAY, and . . .
. . . my mood quickly changed.
For the better.
Helldriver tells the story of a Japan dealing with a zombie problem. In this case, the zombies aren't just undead - they're infected with something that came about when a meteor hit the earth and dusted the countryside with some sort of stellar dust. Or something like that. Honestly, it doesn't matter. The zombies now have these sprouts growing from their forehead that instantly identify them as the antagonists in the film, and apparently, harvesting these Y-shaped sprouts from the zombies' foreheads has turned into some sort of illicit drug trade since these zombie sprouts can be consumed as drugs by . . . okay, this is getting complicated. Let's try again.
Kika (Yumiko Hara) is a young woman whose father is dominated by her mother Rikka (Eihi Shiina). Oh, and her mother is not a stable woman. She and her brother - Kika's uncle - are described as "homicidal" in other reviews of this movie, and once the movie really picks up. At the beginning of the film, though, they're just bullies . . . who steal Kika's pudding and kill her father. Then this meteor comes crashing down in Japan, hitting Rikka and Kika, ripping one of their hearts and transposing it to . . . okay, let's try this again.
Helldriver deals with the very real concern of overpopulation. Japan has a zombie problem, but their are many Japanese citizens and government officials who view the zombies as important members of society . . . at least, important enough to keep around. They're not destroyed. They're not killed. They're rounded up and basically housed behind a HUGE wall in Japan. This causes problems in terms of available land space for those who don't have these alien sprouts bursting out of their foreheads, and there's a conflict in the streets and within the government when it comes to determining how to best handle this crisis.
Helldriver takes all this, gives Kika a chainsaw samurai sword, shakes it all up in a can of carbonated fake blood and lets it explode all over the screen.
The film can be broken up into two halves, mostly because the opening credits take place fifty minutes into Helldriver. The first half sets up Kika as our hero, Rikka as a zombie queen, a group of drug dealers and zombie-sprout collectors all coming together just as there's a violent change-up in Japanese government policy regarding how the zombies are to be treated. We learn about this new zombified world, get splashed with a load of blood and watch a lot of zombie violence. The effects are solid, Kô Nakagawa's score is perfectly suited to the imagery on screen, and the overall mix of editing, cinematography (courtesy of Shu G. Momose) created a great origin story.
That the opening credits take place halfway through seemed odd, but it also set up the second half in which there's a new government in place, Kika and company are on their way to stop the zombie queen, and we eventually meet Kaito (Kazuki Namioka), whose clearly based on the Tallahassee-from-Zombieland mode (right down to wearing a distinct hat).
More chainsaw-lined weapons and armor, a sword fight between a zombie and a car, and a final sequence that seemed to pull some inspiration from Clive Barker's short story "In the Hills, the Cities" . . . with missiles, and Helldriver really became a smiling mess for me.
The movie's over-the-top, and I do think it could have been cut down a LITTLE bit in terms of running-time, I had a good time watching the film. It's not something I would have chosen to watch on purpose (see above re: my previous experience with Yoshihiro Nishimura's previous films), and while this isn't something that will drive me back to Vampire Girl vs. Frankenstein Girl, I will find myself watching Helldriver again.
Preferably with a group. This is a PERFECT group film, especially if that group knows what to expect. In my case, the only person to join me while I was watching Helldriver was Bren, who only walked into the room when I started giggling because the film's heroes were being attacked by a raining barrage of angry zombie heads. (She left the room when the screen literally filled with explosions . . . for almost no reason . . . the explosions that, is. She had no reason to actually leave the room. I mean, the explosions were AWESOME, especially on Blu-ray.)
Is it fair to give this movie a rating of 4-out-of-5 Headshots? I think so . . . especially if you know what you're in for when you start it up. Chances are you're not going to pick up the movie unless you're a fan of this sub-genre of horror-comedy film, but just in case, the director himself introduces the movie and invites you to kick back and enjoy Helldriver for what it is.
Helldriver hits DVD and BLu-ray November 22. The official English-language website for the film can be found http://www.sushi-typhoon.com/films/helldriver.
Sunday, October 30, 2011
Brother D on The B-Movie Cast
Brother D appears on Episode 175 of The B-Movie Cast:
SIGHTS NEVER BEFORE SEEN – Adventure never before experienced!
On today’s show Brother D from The Mail Order Zombie Podcast will join Nic, Mary and I as we talking about one of my childhood favorites. The 1961 science fiction film Atlantis, the Lost Continent. The film was directed by George Pal and stars Sal Ponti, Joyce Taylor, Edward Platt, Jay Novello and the great Paul Frees who is the narrator and does multiple voices.
Plus we have some great listener feedback.
Thursday, October 27, 2011
MOZ: Random #001
Is this thing still on?
Brother D raps (no, not that kind of rap) quickly about an upcoming non-zombie Blu-ray release.
(Various production music produced by Kevin MacLeod)
Monday, September 26, 2011
AMC to Launch Walking Dead Talk Show
From the MOZ Newsdesk . . .
AMC will launch a talk show about the zombie series The Walking Dead this fall. It will be called Talking Dead and will be hosted by Chris Hardwick.
The show will will examine all the weekly plight of the survivors and their undead adversaries through conversations with fans, actors, and producers
The show will air Fridays at 11pm, right after the encore airing the latest Walkind Dead episode,
You’ll be able to catch Talking Dead on Fridays at 11, right after the “encore” airing the latest episode, with one exception: the first episode of the talk show will air directly after the October 16th premiere of TWD season 2.
Need a Nickname Scott
AMC will launch a talk show about the zombie series The Walking Dead this fall. It will be called Talking Dead and will be hosted by Chris Hardwick.
The show will will examine all the weekly plight of the survivors and their undead adversaries through conversations with fans, actors, and producers
The show will air Fridays at 11pm, right after the encore airing the latest Walkind Dead episode,
You’ll be able to catch Talking Dead on Fridays at 11, right after the “encore” airing the latest episode, with one exception: the first episode of the talk show will air directly after the October 16th premiere of TWD season 2.
Need a Nickname Scott
Sunday, September 25, 2011
Brother D on The B-Movie Cast
Download The B-Movie Cast #170 here!Brother D appears on Episode 170 of The B-Movie Cast:
On today’s show we are just back from our vacation to London and Paris and we are exhausted. So our good friend Brother D from The Mail Order Zombie podcast was nice enough to create a great music show for us. We will all be back next week with a new show.
Wednesday, September 21, 2011
This movie doesn't need zombies: 'Godfather of Gore: The Herschell Gordon Lewis Documentary'
Image Entertainment and Something Weird Video dip their toes into the genre documentary pool with Godfather of Gore: The Herschell Gordon Lewis Documentary on September 27, 2011. However, horror fans may want to brace themselves. While H. G. Lewis is perhaps most well-known for his, for better or worse, groundbreaking horror films, nearly the first third of the documentary spends its screen time exploring the pre-bloody history of Lewis-the-filmmaker. We're given his background, how it intersects with the history of the exploitation film and the "nudie cuties" and what ultimately led him to break the bloody ground of Blood Feast. While I certainly find the non-Hollywood-side of filmmaking history fascinating, it does get a bit drawn out in this documentary. I didn't need to see as many clips from the nudie cuties; I didn't need the sound effects whenever someone's genitalia accidentally appeared in any of those film clips; I didn't need to hear everyone bragging about producer David Friedman's ability to talk women out of their clothes for his collaborations with Lewis.
Having Joe Bob Briggs and Frank Henenlotter pop up to express how awful the nudie cuties were (not just Lewis' contributions but the entire subgenre) certainly helped. I laughed out loud when Henenlotter appeared on screen to tell us how "stupid" these films were.
When the documentary gets to the gore-portion of Lewis' career, it doesn't hold back (not that it held back when referencing all the nudie cuties!). The footage is bloody, exploitive, graphic and gruesome. Surviving and available cast and crew reflect on their time working with Lewis and company, and we get a near film-by-film chronology of the films Lewis and Friedman worked on together. There's a short mention made of a falling out between the two, and then we're back to the filmography, sans Friedman. Friedman and Lewis definitely have current chemistry on screen, however; if there was any serious bad blood between the two, it must have long mellowed by now.
The documentary is interesting, and takes us to the sticky floors of film history. It moves along at a quick pace, sometimes to a fault. For a documentary called Godfather of Gore, I was surprised to come away from it feeling as if we rushed through some of the gore films. Perhaps this is indicative of my own film interests, but I didn't need as much time spent on Lewis' nudie cutie filmography.
Perhaps it was because of this quick pace that some elements of Lewis' career were glossed over or skipped all together. There's no reference made to the film Monster A-Go-Go, which Lewis kinda-sorta co-directed with Bill Rebane. The movie Something Weird is covered, but, despite this documentary being released by Something Weird Video, no connection is drawn between the film and its influence on the founder of SWV. Mention is made of Lewis' adversarial relationship with Connie Mason which apparently began when she first appeared in Blood Feast, but this is never discussed further (it's implied that Mason had a very diva-like attitude, and since Lewis is portrayed as a efficient quick-and-dirty movie maker, I would have liked to have learned how he dealt with this "diva" and why he decided to cast her again in his next film Two Thousand Maniacs!).
Mason doesn't appear in the documentary (except for an end credits sequence in which she appears on stage with Lewis and company at a horror convention singing the Two Tousand Maniacs! title song). There is a distinct lack of women overall, and most of the horror film clips showcase women getting killed (granted, most of Lewis' film victims were women, but there were some men killed in ...Maniacs!), which does give Godfather of Gore: The Herschell Gordon Lewis Documentary an odd, albeit slight, sexist edge. Of course, considering what kinds of films Lewis made, what the market was, etc., this may have been the intent of director Henenlotter.
There is a nice spotlight shone on regular Lewis performer actor William Kerwin. It quickly became obvious that everyone who ever worked with Kerwin remembers the late actor fondly, and it was nice to hear stories about how he not only performed in front of the camera, but helped whenever and wherever he could behind the camera. Additionally, footage from an unfinished H. G. Lewis film called An Eye for an Eye has been restored and cobbeled together for this DVD release, and I think it's a real shame this particular film was never completed. It definitely has a broader feel than most of Lewis' genre output at the time, and would have perhaps made an interesting eventual double-feature pic to play against X: The Man with the X-Ray Eyes at some point.
John Waters appears in the documentary and makes an interesting point: there's no such thing as exploitation cinema anymore. Everything that was shocking - nudity, gore, etc. - has all been co-opted by Hollywood and appears in mainstream films now. Perhaps this is why Lewis got out of film industry when he did, but, again, this documentary doesn't explore this stage of Lewis' career too deeply either. He just kind of . . . stopped making movies. He went on to have a successful career in marketing, and that's that. The DVD ends. No mention of the Blood Feast sequel or the Two Thousand Maniacs! remake. We see some footage of Lewis at a business conference, Waters, Briggs and company reflect on Lewis' place in film history, and the end credits role.
While I certainly wish the documentary had been less love letter and more historical document, I still enjoyed the Godfather of Gore: The Herschell Gordon Lewis Documentary. Briggs doesn't say much more than he's already written in his book Profoundly Disturbing: The Shocking Movies that Changed History and Waters certainly doesn't dive into anything new from him, either. I don't think it's something I'll go back to again, but it did give me some ideas of some movies to add to my To-Watch list.
Thursday, September 15, 2011
Mail Order Zombie: Episode 172 - Zombie Hunters: City of the Dead, Woods of Terror, Forest of the Dead, Attack of the Moon Zombies & World of the Dead
We're not podfading - we're pod-recharging! This is Episode 172, the final-for-now episode of Mail Order Zombie, and before we go on hiatus for the rest of 2011, we've got a lot of business to finish. Brother D takes a look at the movies World of the Dead: The Zombie Diaries (dir. Michael Bartlett and Kevin Gates), Attack of the Moon Zombies (dir. Christopher R. Mihm) and Woods of Terror/Zombie Village (dir. Jason Impey). MOZ Family Member Zombiwan calls in to help talk about the movie Forest of the Dead (dir. Brian Singleton), and Miss Bren sits down with D to watch and talk about Season One of the television series Zombie Hunters: City of the Dead (created by Patrick Devaney, who's featured with producer Chrisopher J. Murphy in an interview from HorrorHound Weekend). Even though Brother D and Miss Bren are taking a break from zombie podcasting, Professor Chad isn't missing a step with his Zombie Aptitude Test and is still take answer for the current ZAT question. Need-a-Nickname Scott is back with the news in the Zombie Beat; the winner of the Zombie Hunters contest is announced; we review your emails and voicemails in the Feedback Discussion . . . we packed a lot into this episode to help tide you over until Mail Order Zombie proper returns in January 2012!
Email us at MailOrderZombie@gmail.com or call us at 206-202-2505!
Palavr.com Forums - http://palavr.com/forum.php/
Plan D: The Official Website of Derek M. Koch - http://www.derekmkoch.com
Attack of the Moon Zombies - http://www.moonzombies.com
Zombie Hunters: City of the Dead - http://www.zombiehuntershow.com
The Monster Channel - http://www.100ymm.com
High School of the Dead "Best Scene" - http://www.youtube.com/watch?v=cNtlMjRqfQs
Dagon Industries - http://arkhambazaar.com/dagon-industries-store
The H. P. Lovecraft Film Festival - http://hplfilmfestival.com/
Stag Night of the Dead UK DVD release - http://www.stagnightofthedead.com/blog/stag-night-of-the-dead-dvd/
Fangoria's exclusive details on Stag Night of the Dead's DVD release - http://www.fangoria.com/index.php?option=com_content&view=article&id=5619:exclusive-trailer-pics-stag-night-of-the-dead&catid=1:latest-news&Itemid=167
Zombies, Run! iPhone & Android app - http://www.kickstarter.com/projects/sixtostart/zombies-run-a-running-game-and-audio-adventure-for
Plants vs. Zombies add-ons - http://toucharcade.com/2011/09/08/plants-vs-zombies-update-adds-new-mini-games/
(Various production music produced by Kevin MacLeod and Midnight Syndicate.)
RIP Third Coast Zed.
Thursday, September 8, 2011
Mail Order Zombie: Episode 171 - Vs. The Dead, Bloodlust Zombies, The Walking Dead Girls, Dead of Night: A Zombie Novel
In this week's episode of Mail Order Zombie, Brother D pushes through three movie reviews: Vs. The Dead (dir. Jeff Beckman and Phil Pattison), The Walking Dead Girls (dir. Tyler Benjamin) and Bloodlust Zombies (dir. Dan Lantz); he also tackles the upcoming novel Dead of Night: A Zombie Novel from award-winning author Jonathan Maberry. Throw in some hot Zombie Aptitude Test action, the Feedback Discussion and a new contest? Let's do this thing!
Email us at MailOrderZombie@gmail.com or call us at 206-202-2505!
Palavr.com Forums - http://palavr.com/forum.php/
(Various production music produced by Kevin MacLeod.)
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